MARCO BICEGO THE ART of CRAFT
The State of ROSWELL
In LIVING Color
PATEK PHILIPPE Evolution of Simplicity
BROWN & CO. JEWELERS
FEATURES
6 WELCOME From Sara Beth 8 GIVING LOOKS GOOD ON YOU The perfect piece for the perfect moment 10 THE STATE OF ROSWELL Roswell renovation 14 BROWN & CO. EVENTS Marco Bicego 16 ROLEX The story of the Oyster 18 PHILLIPS HOUSE A family affair 20 ZOË CHICCO Endlessly versatile
22 DAVID YURMAN
36 CARTIER
Women’s and men’s jewelry
The Roadster returns 38 PATEK PHILIPPE CALATRAVA Evolution of simplicity 40 TUDOR BLACK BAY A growing family of modern tool watches 46 WEDDING FEATURE Rachel & Grant 50 CELEBRATING LOVE + LEGACY Brown & Co.’s most loved engagement ring styles 52 HAPPILY EVER AFTER Brown & Co. love stories
24 GOLDEN HOUR
Warm, saturated, and incredibly classic
26 RING TONES Turning up the volume 28 IN LIVING COLOR
Enchanting hues worth collecting
30 MARCO BICEGO The art of craft 32 THE BEJEWELED NICOLE KIDMAN Leading with heart, creativity, and resilience 34 PENNY PREVILLE In Buckhead
Todd Tufts - Editor in Chief/Publisher/Creative Director Sara Beth Brown Prendeville - President Sloane Morocco - Marketing Manager/Designer Amelia Cobb - Marketing & Design Specialist Lori Roberts - Associate Editor Vence Vida - Production Manager/Designer Lynsey Gill - Designer
Prices are subject to change. Please contact the store for current pricing and availability. Brown & Co. Magazine is published by Tufts Communications, 10012 Gulf Center Drive, Suite 5150 • Fort Myers, FL 33913 765-819-2500 • todd@tuftscom.com © 2026, Tufts Communications. All rights reserved. Printed in the USA.
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Jackie Haldiman - Account Director Stephen Lewis - Lead Copy Editor
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There is so much to celebrate as we close out another year. 2026 brought a lot of change to Brown & Co. Jewelers, and through it all, our customers have been right there with us. Whether you’ve celebrated with us for years or are newer to the Brown & Co. family, I want to say thank you. From the bottom of my heart, thank you. We truly couldn’t do what we do without you.
This year, we set out to give the Roswell location the update it deserved — creating a space that reflects Brown & Co. while preserving the legacy of the store that has been part of our family since 1974. Doing it while staying open certainly hasn’t been easy. Thank you for navigating the construction alongside us — your patience, positivity, and excitement for what’s ahead have meant so much. We can’t wait for you to see the finished space! My hope is that no matter how much Brown & Co. changes, the things you love about us never do. The relationships we’ve built, our quality and craftsmanship, and our personal service mean the most to me. I grew up with this business, and I have watched Brown & Co. adapt and evolve over the years, but our foundation has remained and will remain the same. We have spent a lot of time listening to our clients and our team and thinking about what feels right for Brown & Co. We want everyone who walks through our doors to feel welcome and comfortable and to be able to find something they love. We want Brown & Co. to be a place you enjoy spending time. With every improvement in our product assortment, our atmosphere, and our processes, we have you in mind. We will continue to listen, learn, and create! Thank you for growing with us, for trusting us with the moments that matter, and for being part of the Brown & Co. story. We don’t take any of it for granted. Wishing you and your families a wonderful holiday season, and I look forward to seeing you in the stores! Cheers!
Sara Beth President Brown & Co. Jewelers
BUCKHEAD VILLAGE • 3005 BOLLING WAY • 404-814-9800 ROSWELL • 674 HOLCOMB BRIDGE RD • 770-993-1080 WWW.BROWNJEWELERS.COM
BEYOND OCCASION
By Michael Korb
Gi v in g
on you looks
g ood
"Just because." Two words that have launched more smiles than almost any occasion on the calendar. But while most of us spend large
portions of our waking hours figuring out how to make more money, we've fallen behind on the best part of having it: spending on others. There's a particular satisfaction in giving well, the kind that has nothing to do with occasion or obligation. Anyone who has handed over the right gift at the right moment already knows this. The pleasure isn't in the spending; it's in having paid attention. This is where jewelry earns its place above almost anything else you can buy. A cashmere sweater is lovely, but it's forgotten by February. A piece of tech will be obsolete by October. A well-chosen piece of jewelry becomes something else entirely: evidence, worn at every dinner, every holiday, every ordinary Tuesday that suddenly feels less ordinary. A small, permanent reminder that someone once paid real attention. The act itself is only part of the equation. What matters is thought, specificity, personality: the birthstone that matches a birthday, a tennis bracelet that works with every outfit, the watch that will tell the time for decades to come. The best gift-givers aren't the ones who spend the most. They're the ones who have been quietly taking notes since summer: the offhand comment, the extra few seconds spent in front of a shop window, the "I've always wanted one of these" heard and, apparently, filed away. Skip the obvious this year. Go find the detail only you have noticed. That's the gift no one forgets.
THE PERFECT GIFT STARTS LONG BEFORE THE MOMENT IT'S GIVEN
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STORE NEWS
state of Roswell The
The Jeweler’s Workshop A large glass wall now gives you a direct view into our in- house jeweler’s workshop. Inside this room, some of the industry’s finest jewelers design, create, repair, restore, and rework pieces entirely on-site. What used to happen behind the scenes is now visible the moment you walk in. Watch Workshop Just beside the jewelers is a brand new watch workshop. This space expands our in-house service capabilities and gives you a closer look at the craftsmanship behind every timepiece repair and restoration. New Watch Boutiques Cartier now occupies its own 500-square-foot boutique, located where our bridal department used to be. Additionally, five other watch brands have been given fully built-out spaces of their own, extending toward the back of the store for a more comfortable and private shopping experience. The Bridal Boutique Our new 800+ square-foot Bridal Boutique — dedicated entirely to engagement rings and wedding bands — is thoughtfully positioned near our jewelers. Now, those interested in custom design can move seamlessly from browsing to building something completely their own, with the help of our talented jewelers and diamond experts.
S
Since 1974, you’ve shared some of your most meaningful moments with Brown & Co. Jewelers. Now, we’re excited to invite you to one of ours: the complete transformation of our Roswell store. Instead of closing our doors during the renovation, we decided to stay open and continue operating as usual. We wanted to share this process with the same community that has shaped us for more than fifty years. While challenging at times, the evolution of our Roswell store has been incredibly special. So, here’s just a little reminder of how far we’ve come and a glimpse of what’s ahead.
WHAT’S TAKEN PLACE? With the holiday season upon us, we’re proud to unveil several completed aspects of the renovation. Each space reflects the craftsmanship and care that have always been at the heart of what we do.
ON THE HORIZON Next, our attention turns to the center of the showroom, where new cases and displays will pull the space together by year’s end. In 2027, our exterior renovation will complete the transformation, bringing the Roswell project to a close.
We’re so grateful to share the Roswell journey, and we can’t wait to welcome you in to see it for yourself.
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DIAMOND HOUSE OF LOS ANGELES SINCE 1982 DIAMOND HOUSE OF LOS ANGELES SINCE 1982
An Evening with Marco Bicego STORE EVENT BROWN & CO. WELCOMED THE ITALIAN DESIGNER TO ROSWELL FOR A CELEBRATION OF JEWELRY, ARTISTRY, AND A RELATIONSHIP DECADES IN THE MAKING. Marco Bicego was among the first jewelry brands Brown & Co. partnered with more than 30 years ago, making the designer’s April visit to Roswell especially meaningful. Guests gathered at Osteria Mattone, where they met Bicego, heard about his inspirations and creative process, and explored an expanded assortment of jewelry brought in for the occasion, including new collections, special pieces, and one-of-a- kind Unico designs. The evening became even more personal at Bicego’s engraving station, where guests could watch him personally engrave his signature on pieces purchased during the event. The Italian setting was a fitting choice for the occasion, with guests taking home a special bottle of olive oil as a nod to Bicego’s heritage.
Lunaria Collection
us.marcobicego.com
Photography by Laura Stone
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TIME ZONE
The challenge of precision In 1910, a Rolex watch was awarded a certificate of chronometric precision from the Official Watch Rating Centre in Bienne, Switzerland. This wristwatch was therefore proven to be as precise as a pocket watch, the benchmark at the time. A few years later, in 1914, the watchmaking world was astounded once more when another Rolex wristwatch received a Class A certificate from Great Britain’s Kew Observatory. This distinction had hitherto been generally reserved for hefty marine chronometers. Through these achievements, Rolex made a major contribution to the credibility of the wristwatch, which had previously been regarded as mere jewelry and highly unreliable in terms of accuracy. Having overcome the challenge of precision, Rolex turned its attention to designing flawless armor to protect its movements.
A living laboratory “Performance under pressure” — such was the philosophy of Hans Wilsdorf, who, in the wake of Mercedes Gleitze’s achievement, entrusted Oyster watches to various explorers, scientists, athletes, pilots, seafarers, mountaineers, and divers. These men and women were to test the reliability of Rolex watches from the highest peaks to the deepest oceans, turning our planet into a living laboratory. Their feedback allowed the manufacture’s engineers to perfect Oyster watches and constantly improve them. A collection driven by innovation Enhanced resistance to pressure and strong magnetic fields, graduated rotatable bezels, a second time zone. From the mid- 1940s onwards, models multiplied, becoming increasingly specialized to meet a wide range of requirements. And so, from the first Oyster a whole family of watches emerged. Each has set the standard in its category, and many have been hailed as icons of watch design.
From Oyster to Oyster Perpetual The invention of the Oyster in 1926 was a major breakthrough in watchmaking. The case, which was to lend its name to a wristwatch, was entirely waterproof and dustproof thanks to its system of screwing down the bezel, case back, and winding crown against the middle case. This watchmaking revolution would be put to the test in 1927 when Englishwoman Mercedes Gleitze swam the Channel between France and England, spending over 10 hours in freezing seas. The watch that she wore — a gold Oyster — remained in perfect working order. The development in 1931 of a groundbreaking self-winding system, the Perpetual rotor, further enhanced the performance of Rolex watches. Precise, waterproof, and now autonomous, the Oyster had become “Perpetual”.
Oyster Story
It was born of Hans Wilsdorf’s vision.The founder of Rolex sought to make the wristwatch an integral part of the technological innovations transforming society at the turn of the 20th century. One hundred years after revolutionizing the watchmaking world, the Oyster continues to expand, helping every wearer to pursue their personal goals.
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DESIGNER SPOTLIGHT
Phillips House A FAMILY AFFAIR
The story of Phillips House begins with a first date and a cork Lisa Frankel decided to keep. The man sitting across from her would later become her husband, and the evening already felt worth remembering. So when the bottle was finished, Lisa saved the cork. Her future husband was a prosthodontist, and Lisa began spending time in his dental lab, surrounded by casting equipment, lasers, and the tools he used to build teeth by hand. He taught her how to draw gold wire, which she used to make a tiny nail head through the cork and a bail at the top so she could wear it on a chain. Something that could easily have been thrown away became meaningful because of the memory it carried. That idea would eventually become part of Phillips House: jewelry gains value from the life attached to it and the people and moments it brings to mind.
Years later, Lisa founded Phillips House in Miami Beach with her daughter, Danielle Nemiroff. Lisa brought an intuitive sense of design, functionality, and how a piece feels when worn. Danielle, a lifelong ballerina, brought an understanding of movement, balance, and beauty. Together, they create everything from refined, wearable jewelry to high jewelry, all designed to be enjoyed as part of everyday life. The name Phillips House comes from Lisa’s maiden name, a nod to the family connection at the heart of the brand. It operates with this philosophy: The days that become important don’t always announce themselves. Sometimes an ordinary moment becomes a memory. That’s the spirit behind Phillips House and its belief to “Celebrate Every Day.”
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DESIGNER SPOTLIGHT
Zoë Chicco ENDLESSLY VERSATILE
Zoë Chicco’s gift lies in creating jewelry that feels personal and classic, yet endlessly versatile. Delicate and modern, sexy but elegant, her pieces are substantial enough to wear alone and delicate enough to layer by the handful. That instinct traces back to her childhood in Pennsylvania, where Chicco discovered a knack for jewelry design early on. She majored in metalsmithing at Skidmore College before a formative season at the Studio Arts Center International in Florence, Italy. Apprenticeships with established jewelers on both coasts followed, and in 2000 she set
off to design and produce her own line, drawing inspiration from art, fashion, and the friends who often became her muses. What began as a one-woman show has grown into a globally recognized name, though Chicco remains a trained goldsmith at heart. She creates the collection within her downtown Los Angeles studio, overseeing artisans who screen and hand-finish every piece. The result marries ethically sourced, recycled 14k gold with conflict- free diamonds and gemstones like opal and turquoise, timeless jewelry meant to be worn for a lifetime.
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DESIGNER SPOTLIGHT
By Annie Davidson Watson
David
Yurman FAMILIAR SOPHISTICATION
Men’s Jewelry AN ODE TO INDIVIDUALITY
S
Small but mighty, an amulet is a private marker of the people, places, and beliefs that matter most. That sentiment sits at the heart of David Yurman’s Amulets, pieces designed for wearing solo or combining into a collection that builds over time.
N
Not every idea needs replacing; some simply need room to grow. Each season, David Yurman revisits the collections clients return to again and again, exploring what a familiar silhouette can become in a new metal, stone, or scale. This time, two signature lines step forward in expanded form, a reminder that even the most recognizable designs still have room to surprise.
NEW THIS SEASON are smaller scale versions of three classic symbols: St. Christopher, the Evil Eye, and the Cornicello, a traditional Italian talisman for luck. Sized for stacking without losing their presence, amulets are designed to be added to, one piece at a time. David Yurman’s Chevron collection brings bold, modern energy to an ancient V-shaped motif. The new cuff bracelets this season combine sculptural precision, symmetry and luxurious materials to create distinctive men’s designs.
STARBURST Starburst has long stood for a celebration of love and light. Now that motif gets a new material story: for the first time, it’s crafted in a mix of precious metals and diamonds, combining yellow gold with sterling silver for a fuller, more dimensional finish, with pavé diamonds for added brilliance. From stud earrings to a petite tennis necklace, the collection keeps its joyful, celebratory spirit, with more range in how it’s expressed.
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INCREDIBLY CLASSIC GOLDEN ENDLESS APPEAL
By Jennifer Brugh
HOUR WARM, SATURATED, AND
F
For years, cool metals held the spotlight. But yellow gold has fully reclaimed its place and it’s easy to see why. There’s a warmth to it that other metals don’t have, creating a honeyed glow against your skin. Yellow gold flatters nearly every complexion, the same way late-afternoon light flatters everything it touches. It carries history without feeling dated, and it dresses up an outfit without trying too hard. This season, the look leans bold and sculptural. A substantial chain or wide cuff can carry a look by itself. A domed ring, with enough curve and shine, turns a bare hand into something worth noticing. Any of these pieces hold up when worn alone; when stacked together, they start to feel like an actual outfit choice instead of an afterthought. Beyond its beauty, yellow gold carries lasting value. It works just as well at dinner as it does at the office, and unlike a lot of things people spend money on, it holds up as an investment that’s both beautiful and wearable. Gold doesn't need much of a case made for it at this point. It's the most confident choice you can make, and it
BEYOND ITS BEAUTY, YELLOW GOLD CARRIES LASTING VALUE.
wears like a piece you'll still want ten years from now.
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FIVE-FINGER FASHION
By Jennifer Brugh
Ring Tones TURNING UP THE VOLUME
The statement ring is back at full volume, and it has exactly one job: to make your entire outfit impossible to look away from. Leading the charge is the classic cocktail ring — big, bold, and vibrantly colorful. It often features a single saturated gemstone, glowing at the center like the answer to a question nobody asked but everyone’s now thinking. Beside it is a retro revival — domed silhouettes and generous sculptural forms that recall the glamour of another era with warm gold curves and high-shine confidence. And for the unconventional, you’ll find the bypass and toi et moi styles as underrated as ever — two precious elements curling past each other or a luminous pearl meeting a cascade of micro-set diamonds in a single sweeping gesture.
The thread connecting them all is presence over size. A great statement ring doesn’t simply sit there sparkling, waiting to be noticed; it changes the way you use your hands, the way you reach for a glass, the way you gesture mid-story. It does all the talking before you ever say a word. And the best part? The styling rule is that there are no rules. Crown a single finger and let it reign or stack the bold against the delicate and let them both shine. Either way, the effect is the same — effortless, magnetic, and unmistakably bold.
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COLLECTING IN COLOR
By Jennifer Brugh
NOTHING HAS TO MATCH, AND SOMEHOW IT ALL GETS ALONG ANYWAY
F
For years, color was the sidekick of diamonds and gold, a pop of something extra rather than the main focal point. That’s shifted and color isn’t filling in anymore; now it makes for the most fun jewelry in the case and is the perfect way to accentuate an outfit and your personality.
IN LIVING
Not sure where to begin? Start with the colored tennis bracelet, because it’s the easiest way in. Take that classic line of light you already love and crank up the saturation with sapphire blues, emerald greens, or a pink you can spot from across the room. And then there’s the rainbow version. Every stone is a different color, lined up one after another, closer to a candy counter than a jewelry case. It’s the bracelet you know, just way more fun.
Picture a long chain dotted with bezel-set stones in every color there is: blue topaz, amethyst, peridot, citrine, a little smoky quartz, each one tucked in warm gold and catching the light its own way. Add the matching bracelet and your wrist does the rest of the talking. The best part is that a single piece already feels like a whole collection, so you’re never really wearing just one thing. And that’s what makes color so personal. Cool blues for the calm days, hot pink and coral for the days you’re feeling it. Reach for one emerald drop to keep things simple, or stack on everything when you don’t. Different stones for different days, no explanation required.
ENCHANTING
HUES
WORTH
COLLECTING
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DESIGNER SPOTLIGHT
MARCO BICEGO For 26 years, Marco Bicego has built its reputation on craftsmanship. In the hills of Vicenza, every collection begins in the workshop, where techniques refined over decades are still carried out by hand before a design ever reaches the display case. Marrakech and Jaipur Color are two of the clearest examples, each showcasing a different skill that has become central to the brand’s identity. rt A OF CRAFT the
Marrakech is where the story begins. Its signature coil came from an unexpected moment in the workshop decades ago, when a length of gold wire naturally wound itself into a spiral. The idea was worth exploring, and over time it became the technique most closely associated with the Marco Bicego name. Today, an extremely thin strand of 18k gold is shaped entirely by hand into a flexible coil that moves naturally while holding its shape. Jaipur Color draws both its name and its vibrant palette from India’s Pink City, long celebrated for its master gem cutters. The goldwork reflects that same appreciation for craftsmanship through hand engraving, an ancient technique that uses a bulino tool to carve fine, closely spaced lines into the surface of the gold. The result is a soft silk-like finish that reflects light differently than a polished surface. Marco Bicego personally selects the gemstones for each design, building combinations that feel balanced rather than uniform. The engraved gold and carefully chosen stones work together, each playing an equally important role in the finished piece.
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CELEBRITY SPOTLIGHT
By Debra Wallace
t
t
H Heads turned when Nicole Kidman walked into the 2026 MET Gala wearing a red sequined Chanel gown adorned with Chanel diamond climber earrings. This was her seventh MET Gala, and one of many festivities and red carpets she has attended. She also wore a vintage Omega Constellation watch, featuring diamonds around the bezel and the bracelet. Kidman is known for wearing expensive and extravagant jewels, including at the 2008 Oscars, courtesy of the late L’Wren Scott. She has worn numerous memorable pieces, including Mughal-inspired earrings and polki diamonds, 19th-century vintage creations from Fred Leighton, and contemporary designs from Ana Khouri. Roberto Coin also designed several pieces for Kidman to wear at high-profile events, particularly from his Venetian Princess collection, which features intricate floral designs and luxurious details. Born in Hawaii to Australian parents (a psychologist dad and a nurse educator mom) and raised in Sydney, Kidman was a sensitive child with a vivid imagination who was drawn to storytelling and the creative arts. “I was always considered the black sheep of the family,” she recalled. “I was off doing theater and writing plays.” She began acting professionally at 14 and quickly rose in Australia’s entertainment industry before breaking through internationally with films including Days of Thunder , Far and Away , and To Die For . Her performances in Moulin Rouge! , Rabbit Hole , Lion , and Being the Ricardos earned her five Academy Award nominations, including a Best
FASHION FORWARD NICOLE KIDMAN LEADS WITH HEART, CREATIVITY, AND RESILIENCE
Actress Oscar win for portraying Virginia Woolf in the 2002 film The Hours . Despite her extraordinary success and diverse roles for more than 40 years, Kidman says, “I’ve never lost my passion for it!” Her leadership behind the camera may prove equally significant. In 2010, she founded Blossom Films, a vehicle for female-driven storytelling. Since that time, she has collaborated with more than 27 female directors. “Our company is called Blossom Films — to help them blossom and grow, but also to fail and then be given the chance to get back up again,” Kidman said. “I’ve had people who worked for me who have gone on to start companies and move into huge power roles.” Kidman has emerged as an influential leader, mentor, devoted mother, and champion of women whose impact extends far beyond the screen. “I’ve always been on a journey of discovery of what it means to be human.” Throughout her life, Kidman has benefited from the wisdom of older women — mentors who helped guide and support her through different stages of life. Those relationships, as well as her life-long friendships, have had a major impact on her life. “I love to mother other people,” she said. “And when I say mother, I mean nurture. I mean to listen and show up for them.” The mother of Sunday Rose, 17, and Faith Margaret, 14, Kidman eagerly shares that raising her children has influenced her priorities and personal growth. She remains guided by optimism, resilience, and a belief that every setback contains possibility. “I am someone who’s always pushing the limits and pushing the boundaries.”
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STORE EVENT
A Weekend with Penny Preville To celebrate the arrival of Penny Preville in Buckhead, Brown & Co. hosted an all-weekend trunk show and cocktail event in September. Guests explored an expanded selection from the designer while enjoying personal styling, cocktails, light bites, and a few special surprises throughout the celebration. The weekend offered a closer look at Penny Preville and the broader assortment now available at Brown & Co. Buckhead Village.
Brown & Co. is pleased to welcome Penny Preville to its Buckhead Village location, bringing the designer’s collection to both Brown & Co. stores. For 50 years, Penny Preville has designed fine jewelry with a distinctly feminine point of view. Nature, the night sky, and even small details from everyday life have found their way into her work. Diamonds, colorful gemstones, and gold are signatures, as are pieces that can be mixed, layered, and combined in different ways. Penny Preville jewelry has a way of fitting naturally into what you already wear. Buckhead Village B comes to 34 | BROWN & CO. JEWELERS MAGAZINE
Photography by Heidi Harris Photography
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THE NEW CLASSIC
By Celine Simon
THE ROADSTER
REFLECTS THE
MORE THAN TWO DECADES LATER, THE ROADSTER RETURNS SHARPER, SLEEKER, AND UNMISTAKABLY CARTIER
CARTIER BROTHERS’
W When Cartier introduced the Roadster in 2002, it added a distinctly automotive personality to the maison’s long tradition of shaped watches. Inspired by classic sports cars, its tonneau-shaped case combined flowing curves with a speedometer-inspired dial, a prominent conical crown, and a magnified date window reminiscent of a headlight. Its powerful design reflected the Cartier brothers’ fascination with the mechanical world and technological advancement. Cartier has now revived the Roadster while preserving the elements that made the original so recognizable. The designers focused on refining its proportions, sharpening its lines, and
FASCINATION WITH THE
MECHANICAL WORLD
The Cartier Roadster RETURNS
AND TECHNOLOGICAL
ADVANCEMENT.
improving ergonomics without altering its signature silhouette. More than one hundred artisans contributed to the project, from designers and watchmakers to dial specialists, polishers, and stampers.
The dial remains familiar, maintaining its circular striated pattern, Roman numerals, railroad minute track, and magnified date display. New decorative techniques create greater depth: an appliqué effect created by a stamping tool adds relief, while varnish applied to the indexes and railroad minute track enhances the dial’s detailing. The steel models are paired with blue or anthracite Super-LumiNova-coated sword hands, and four rivets added to the bezel further emphasize the automotive-inspired design. Available in stainless steel, two-tone steel and yellow gold, or full yellow gold, the Cartier Roadster collection is offered in both large and medium sizes. The larger models are powered by Cartier’s automatic Caliber 1847 MC, while the medium versions use the automatic Caliber 1899 MC.
Cartier also redesigned the integrated bracelet with shorter, more ergonomic links and a revised mix of polished and brushed surfaces. The QuickSwitch system remains, allowing owners to swap easily between the bracelet and the accompanying leather strap. More than two decades after its debut, the Roadster returns with updated proportions while remaining unmistakably one of Cartier’s most distinctive contemporary designs.
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THE POWER OF LESS
By Celine Simon
PATEK PHILIPPE CALATRAVA’S Evolution of Simplicity
EVERY DETA I L SERVES A CLEAR PURPOSE
NEARLY A CENTURY OF UNDERSTATED DESIGN PROVES THAT LESS CAN BE REMARKABLY SOPHISTICATED
T
CLOCKWISE FROM LEFT: LADIES' CALATRAVA Ref. 7200/50G, 34.6 mm white gold case, sunburst sand beige or ice blue dial, automatic movement, blue or beige calfskin leather strap CALATRAVA IN-LINE PERPETUAL CALENDAR Ref. 5236P-011, 41.3 mm platinum case, silvery dial with black-gradient rim, automatic movement, charcoal gray composite strap with fabric pattern CALATRAVA Ref. 5227G-015, 39 mm white gold case, rose-gilt opaline dial, automatic movement, shiny chocolate brown alligator leather strap CALATRAVA ANNUAL CALENDAR Ref. 5396R-016, 38.5 mm rose gold case, sunburst sand-beige dial, automatic movement, shiny dark chestnut alligator leather strap The Ladies’ Calatrava ref. 7200/50G represents the collection in its purest form. Offered in white gold with a sunburst sand beige or ice blue dial, the time- only watch pairs its 34.6 mm Officer-style case with Breguet numerals, pear- shaped hands, and a matching leather strap. Power comes from Patek Philippe's ultra-thin self-winding Caliber 240, whose 22k gold off-center mini-rotor helps keep the case to just 7.37 mm thick. The Calatrava ref. 5227G-015 takes the next step by introducing a discreet date within the collection's familiar design language. Its polished 39 mm white gold case features a concave bezel and elegantly hollowed lugs, while the rose-gilt opaline dial combines charcoal-gray white gold hour markers, dauphine hands, and a date window at 3 o'clock. Completing the design is the signature Officer- style case, whose sapphire caseback is concealed beneath an invisibly hinged dust cover, revealing the self-winding Caliber 26-330 S C. The Patek Philippe Calatrava has long been synonymous with simplicity, not because its watches lack technical sophistication, but because every detail serves a clear purpose. Since its 1932 debut, the Calatrava has shown that even as complications become more advanced, its design remains restrained and balanced. That evolution is evident across the latest Calatrava releases. From the clean simplicity of the time-only ref. 7200/50G to the date-equipped ref. 5227, the Annual Calendar ref. 5396, and the In-Line Perpetual Calendar ref. 5236, each model builds on the same design principles while introducing progressively greater mechanical sophistication.
The Calatrava ref. 5396R-016 demonstrates how Patek Philippe introduces greater mechanical sophistication while preserving the collection's clean, balanced aesthetic. Housed in a polished 38.5 mm rose gold case, it pairs a sunburst sand-beige dial with the self-winding Caliber 26-330 S QA LU 24H, featuring Patek Philippe's Annual Calendar, invented and patented in 1996. Displaying the day, date, and month while requiring only one correction each year, the complication is complemented by moon-phase and 24-hour indicators in a clean, symmetrical layout. The progression culminates with the Calatrava ref. 5236P-011, where the patented In-Line Perpetual Calendar presents the day, date, and month together in a single aperture at 12 o'clock. Powered by the ultra-thin self-winding Caliber 31-260 PS QL with a platinum mini-rotor, the watch brings together one of Patek Philippe's most sophisticated complications with a remarkably clean display. A platinum case, silvery satin-finished dial, and charcoal gray strap complete the understated design. These latest Calatrava releases show how the collection continues to evolve while remaining true to the understated design that has defined it for nearly a century.
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TIME ZONE
By Celine Simon
TUDOR CONTINUES TO OFFER SOMETHING
FOR DIVERS, TRAVELERS, RACING ENTHUSIASTS & EVERYDAY WEARERS ALIKE.
S
TUDOR BLACK BAY A GROWING FAMILY OF MODERN TOOL WATCHES
Offering a more contemporary interpretation, the Black Bay Ceramic pairs a matte black ceramic case and matching bracelet with a Master Chronometer- certified movement. Rounding out the latest additions, the Black Bay Chrono combines Tudor’s dive watch heritage with more than five decades of chronograph expertise. The latest Carbon 26 edition pairs a lightweight carbon fiber case with design cues taken from the 2026 Visa Cash App Racing Bulls Formula One car. Together, these additions show how the Tudor Black Bay range continues to evolve, offering something for divers, travelers, racing enthusiasts, and everyday wearers alike.
Since its debut in 2012, the Tudor Black Bay collection has grown from a single vintage- inspired dive watch into one of modern watchmaking’s most comprehensive sports watch families. Drawing on Tudor’s historic Submariner models, the collection now includes compact heritage divers, GMT travel watches, motorsport-themed chronographs, and cutting-edge ceramic models. This year’s additions continue that evolution with fresh colorways, updated proportions, and new mechanics while remaining true to the collection’s unmistakable design language. The Black Bay 54 pays tribute to Tudor’s first dive watch, the 1954 reference 7922, with historically faithful 37 mm proportions and vintage-inspired details. The latest version introduces a sapphire blue dial and bezel while retaining the clean bezel of the earliest Tudor divers, free of hash marks. Another milestone in Tudor’s diving history came in 1958, when the brand introduced its first dive watch waterproof to 200 meters. Named after that achievement, the Black Bay
58 pairs retro 39 mm proportions with a slimmer case, Master Chronometer certification, and the option of a new five-link bracelet. The Black Bay 58 GMT applies the same design blueprint to a travel-ready format, adding a GMT complication and a black-and-burgundy bidirectional bezel.
OPPOSITE: Black Bay 58 GMT Ref. 7939G1A0NRU, 39 mm steel case, black-and-burgundy bidirectional rotating 24-hour bezel, black dial with gilt details, automatic GMT movement, steel bracelet. CLOCKWISE FROM TOP LEFT: Black Bay Chrono “Carbon 26” Ref. 79377KN, 42 mm black carbon composite case, fixed carbon fiber tachymeter bezel, white dial with black counters and yellow details, automatic chronograph movement, leather-rubber strap with tire pattern. Black Bay 58 Ref. 7939A1A0NU, 39 mm steel case, black aluminum unidirectional rotating dive bezel, black dial with gilt details, automatic movement, steel bracelet. Black Bay Ceramic Ref. M7941A1ACNU, 41 mm black ceramic case, black-PVD-treated steel unidirectional rotatable dive bezel, charcoal dial, automatic movement, black ceramic bracelet. Black Bay 54 Ref. 79000B, 37 mm steel case, blue aluminum unidirectional rotating dive bezel, blue dial, automatic movement, steel bracelet.
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41 | BROWN & CO. JEWELERS MAGAZINE
HAPPILY EVER AFTER &
Rachel
Grant
The Venue AHMA — The Knoll
Wanting to get married in a place where they could continue to return for years in the future, the pair tied the knot at The Knoll at AHMA, a family- owned property located in a secluded corner of North Carolina’s Pisgah National Forest. Serving as Grant’s proposal spot just a year earlier, the property entered construction mode to prepare for the big day. The entire project wrapped up with just weeks to spare. But the landscape? Well, it became the exact wedding backdrop Rachel had envisioned just eight months prior.
Rachel and Grant were just two freshmen crossing paths at Ole Miss in the fall of 2016. At the time, neither imagined that a steady friendship would eventually lead them down the aisle as husband and wife. But fate had other plans. After nearly a decade of friendship and love, Rachel and Grant said “I do” before an intimate gathering of close friends and family on October 11, 2025. From wedding cookies and family traditions to ring engravings and embroidered cuffs, Rachel and Grant’s big day was full of memories and intentional moments that tied everyone together.
Photography: Jessica Gold, Jessica Gold Photography jessicagoldphotography.com Planning: Lindsay Sims, Toast Events
toast-events.com Venue: AHMA www.visitahma.com
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47 | BROWN & CO. JEWELERS MAGAZINE
Three Sisters, Three Weddings, Three Traditions One of four, Rachel and two of her sisters were all married within seven months of each other. All three used the same wedding planner, the family’s vintage Ford Galaxie, “Verti,” as the getaway car, and the same wave tables their father built, with each sister styling them her way. Three different weddings but three common threads helping them tie the knot.
Baked with Love As a nod to her father’s Pittsburgh roots and a long-standing family tradition, the couple opted to feature a cookie table at the reception. Women on her father’s side flew in from across the country, spent the weekend baking together, and then brought the treats to AHMA for the big day.
The Rings Custom Made by Brown & Co.
Brown & Co. Jewelers designed and crafted both Rachel’s engagement ring and wedding band in-house. Each was engraved with the nicknames they call each other and their wedding date, serving as secret reminders of the love and vows they shared that day.
Inside the Bridal Suite On the day of the wedding, Rachel got ready in her mother Lisa’s white silk nightgown and robe. It was the same set Lisa wore for maternity and newborn photos with Rachel and each of her sisters. No one could have guessed that all these years later, Lisa’s simple nightgown would become such a sentimental piece of her daughters’ big days.
The Rehearsal Dinner Dress Every traditional wedding has the age-old tradition of incorporating something old and something new. Rachel’s rehearsal dinner dress pulled double duty, serving as both her something old and something new. She found the dress at a yard sale across the street from her childhood home and reworked it to fit perfectly for the celebration.
The Bride’s Gift to Her Groom On the day of the wedding, Rachel surprised Grant with his dream Rolex, which also came from Brown & Co. But the thoughtfulness and intention didn’t stop there. She also had the sleeve of the shirt he wore embroidered with their wedding date, adding an incredibly special touch to the day.
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49 | BROWN & CO. JEWELERS MAGAZINE
ove + LEGACY
CELEBRATING
THE JEWEL HERITAGE JEWEL
THE GRAND GRAND EXPECTATIONS
The Jewel engagement ring design is all about the “jewels.” Not only does the ring have a beautiful center solitaire diamond held in a classic cathedral-style setting, it is surrounded by more jewels. A ribbon of smaller diamonds cascades down the top of the shank, surrounding the center diamond with exquisite highlights. The Jewel is lovingly named after The Jewel Box, founded in 1923 by Marie Burns, grandmother of Brown & Company founder Frank Brown.
The Grand is named after the Grand Historic Davenport Hotel in Spokane, where Marie Burns, grandmother of Brown & Company founder Frank Brown, started her boutique, The Jewel Box, in 1923. Inspired by timeless elegance, this “grand” statement piece incorporates a center solitaire in a cathedral setting, surrounded by rows of diamonds on the shank that are graduated in size and perfectly matched. The Grand is a perfect expression of the grand expectations you have for the future with your “Most Loved” one.
THE DAVENPORT TRIED-AND-TRUE SOLITAIRE
The Davenport style is a nod to the Brown family history and our commitment to using the world’s finest diamonds. The Davenport ring, named after the Davenport Hotel, signifies the deep connections between two people and between family members, and the power of exquisite jewels to celebrate your love. It is a classic solitaire with a cathedral setting in a feminine swoop-basket style. Elegant, claw prongs embrace the center diamond.
O Our Most Loved Bridal Collection brings together six of our most popular engagement ring mountings, each one named for a piece of Brown & Co. history. Frank Brown founded the business in 1974, building on the legacy of his grandmother, Marie Burns, who opened The Jewel Box in Spokane, Washington, in 1923. Today the company is led by Frank’s daughter, Sara Beth Brown Prendeville, who serves as president, and she upholds the same standards as those before her. For more than 50 years, Brown & Co. has stayed committed to one standard: only natural diamonds, hand-selected for their beauty and rarity. Every setting in the collection is crafted in-house by our master jewelers in Roswell, Georgia, and can be built around any diamond shape in 18K yellow, white, or rose gold, as well as platinum. Whether you’re drawn to a clean, modern line or a more traditional, detail- rich setting, you’ll find a design in the collection that suits you. BROWN & COMPANY CELEBRATES ITS “MOST LOVED” ENGAGEMENT RING STYLES WITH SIX OUTSTANDING DESIGNS
THE TERRY PERFECT HALO
THE CLASSIC 3 PAST, PRESENT AND FUTURE
THE 1974 SIMPLY DAZZLING
The Terry design is lovingly named after our own Terry Brown, the jewel-loving matriarch of the Brown family and mother of Brown & Co. president, Sara Beth. The focus of this engaging design is the perfectly proportional halo of diamonds that surround the center diamond. Each diamond in the halo is set with small claw prongs, allowing maximum light return and dazzle. Terry herself dons a halo-style engagement ring, along with a fabulous halo-style right hand ring.
The Classic 3 is a three-stone ring, rich in symbolism because it represents a couple’s past, present, and future. It could be three round diamonds, an emerald diamond with traps or side diamonds, or it could be three gemstones of your choice — it can be customized. Every time you look at this ring, it will remind you of the beautiful journey you have shared with your loved one so far and the joyful days ahead.
The 1974 design is named after the year Brown & Company was founded, but it represents our modern interpretation of the classic solitaire style with a contemporary feel. It is the sleek, sophisticated alternative to more elaborate ring styles, giving a single fabulous diamond pride of place at the top of the shank. The claw prongs that hold the diamond are designed to let in maximum light, allowing the diamond to release the most brilliant light return possible.
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HAPPILY EVER AFTER
BROWN & CO. LOVE STORIES
IT’S BEEN OUR JOY TO BE A PART OF THIS MEANINGFUL MILESTONE
Tyler Gaede & Brooke Schaefer
Anna Quinlan & Frankie Venteicher
Warren Reece & Anna Gribble
Jack Norton & Susannah Bakke
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53 | BROWN & CO. JEWELERS MAGAZINE
HAPPILY EVER AFTER
BROWN & CO. LOVE STORIES
Haley & Jack Featherston
Noah Smith & Shannon Waddell
Bohler & Emily Featherstone
Eleanor Whitsett & Ryan Stainback
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55 | BROWN & CO. JEWELERS MAGAZINE
Formed deep within the Earth billions of years ago, these finite and unique natural wonders are the oldest objects you will ever touch. Natural diamonds provide employment, education, and healthcare for local communities from the Northwest Territories of Canada to Botswana in Southern Africa and protect vulnerable ecosystems for the future.
Discover Our Natural Diamond Jewelry Collections
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